Nicholas Byrne
Nicholas Byrne, Untitled, 2017-2022
Oil on nickel silver
30.5 × 17 × 1 cm (12 × 6 ¾ × ⅜ inches)
Oil on nickel silver
30.5 × 17 × 1 cm (12 × 6 ¾ × ⅜ inches)


Nicholas Byrne, Untitled, 2022
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)


Nicholas Byrne, Night Gate III, 2020-2022
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches)
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches)


Nicholas Byrne, Night Gate II, 2020-2022
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches)
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches)


Nicholas Byrne, Night Gate I, 2020-2022
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches)
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches)


Nicholas Byrne, Night Gate I, 2020-2022
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches) (87 ¾ × 90 ½ inches)
Dye on Silk
223 × 230 cm (87 ¾ × 90 ½ inches) (87 ¾ × 90 ½ inches)


Nicholas Byrne, Untitled, 2016-2022
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur III, 2016-2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur III, 2016-2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur II, 2016-2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur II, 2016-2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur I, 2016-2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur I, 2016-2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Untitled, 2021
Oil on linen
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on linen
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, O Roleplay, 2012
Oil on linen
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)
Oil on linen
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)


Nicholas Byrne, Divider, 2008
Iron
Iron


Nicholas Byrne, Curls, 2010
Mild steel
87 × 87 × 29 cm (34 ¼ × 34 ¼ × 11 ⅜ inches)
Mild steel
87 × 87 × 29 cm (34 ¼ × 34 ¼ × 11 ⅜ inches)


Nicholas Byrne, Untitled, 2023
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)


Nicholas Byrne, Untitled, 2023
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)
Oil on copper
50 × 35 × 1 cm (19 ⅝ × 13 ¾ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur, 2016–2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur, 2016–2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur, 2016–2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur, 2016–2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur, 2016–2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Liver of Sulphur, 2016–2022
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)
Oil on copper
110 × 60 × 1 cm (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches) (43 ¼ × 23 ⅝ × ⅜ inches)


Nicholas Byrne, Untitled, 2023
Oil on copper
190 × 110 × 4 cm (74 ¾ × 43 ¼ × 1 ⅝ inches)
Oil on copper
190 × 110 × 4 cm (74 ¾ × 43 ¼ × 1 ⅝ inches)


Nicholas Byrne, Untitled, 2023
Oil on copper
175 × 120 × 4 cm (68 ⅞ × 47 ¼ × 1 ⅝ inches)
Oil on copper
175 × 120 × 4 cm (68 ⅞ × 47 ¼ × 1 ⅝ inches)


Nicholas Byrne, Untitled, 2023
Oil on copper
175 × 120 × 4 cm (68 ⅞ × 47 ¼ × 1 ⅝ inches) (68 ⅞ × 47 ¼ × 1 ⅝ inches)
Oil on copper
175 × 120 × 4 cm (68 ⅞ × 47 ¼ × 1 ⅝ inches) (68 ⅞ × 47 ¼ × 1 ⅝ inches)


Nicholas Byrne, Untitled, 2023
Oil on copper
175 × 120 × 4 cm (68 ⅞ × 47 ¼ × 1 ⅝ inches) (68 ⅞ × 47 ¼ × 1 ⅝ inches) (68 ⅞ × 47 ¼ × 1 ⅝ inches)
Oil on copper
175 × 120 × 4 cm (68 ⅞ × 47 ¼ × 1 ⅝ inches) (68 ⅞ × 47 ¼ × 1 ⅝ inches) (68 ⅞ × 47 ¼ × 1 ⅝ inches)


Biography
Nicholas Byrne’s works on copper play with figure and the ground in painting, layering colour with sign writer’s brushes and scoring the soft metal with blades. With a multitude of delicate marks the body of the work forms a broad landscape over time. Fanning, combing, threading lines, in patterns like the shape of a tear drop, or flame. The results are akin to the ornate violence of devotional religious relics. Linking gestural, modernist abstraction to decoration.
“LOVE” a series of sculptures by Nicholas Byrne and Anthea Hamilton is an ever-growing collection of objects: a kimono (First LOVE Kimono, 2013), a set of animations (LOVE: Calypsos, 2009 and LOVE: LXVX, 2014) and an ongoing series of large inflatables “LOVE”, 2012-ongoing. The inflatables have previously been shown at the Schinkel Pavillon, Berlin; Burning Down the House: 10th Gwangju Biennale; Glasgow International, and Frieze Projects East.
Nicholas Byrne (b. 1979, UK) lives and works in London. Solo and two-person exhibitions include: Liver of Sulphur, VI, VII, Oslo; LOVE, Cold Shower, with Anthea Hamilton, Schinkel Pavilion, Berlin; Finish your sentence, and Roleplay at Vilma Gold, London; Faces, with Nora Schultz, dépendance, Brussels; Divider, Studio Voltaire, London.
Group exhibitions include: Death, Volcano Extravaganza, Fiorucci Art Trust, Stromboli; Burning Down the House, 10th Gwangju Biennale with Anthea Hamilton; Several Species of Small Furry Animals.. Veneklasen Werner, Berlin; Public Private Paintings, Kunstmuseum Ann Zee, Oostende; The Dark Monarch, Tate St Ives, St Ives.
Byrne’s works are in the collection of Kistefos Museum, Norway; Charles Asprey, London, and the collection of the Loewe Foundation, Madrid.
Curriculum Vitae
Education
2004-2005
- Royal College of Art, London
1999-2003
- Slade School of Fine Art, U.C.L
1998-1999
- Manchester Metropolitan University
- Solo & Two-person Exhibitions
2022
- Liver of Sulphur (2016-2022), VI, VII, Oslo
2021
- Night Gate, Studio Voltaire, London, (part of Anthea Hamilton’s Garden Project)
2018
- Fumes, Federica Schiavo Gallery, Milan
2016
- LOVE, Cold Shower, Schinkel Pavilion, Berlin (with Anthea Hamilton)
2015
- Finish your sentence, Vilma Gold, London
2014
- LOVE, 6th Glasgow International, Glasgow (with Anthea Hamilton)
2013
- Spring, Anthony Meier Fine Arts, San Francisco
- Gib’s Mir, OUTPOST, Norwich, UK (with Gili Tal)
- Roleplay, Vilma Gold, London
2012
- LOVE, Frieze Projects East, London (with Anthea Hamilton)
2011
- Faces, Nora Schultz / Nicholas Byrne, dépendance, Brussels
2010
- Charles Atlas & Nicholas Byrne Vilma Gold, ArtNova, Artbasel Miami Beach A Catholic Episode, Vilma Gold, London
2009
- Calypsos, Studio Voltaire offsite at Zoo Art Fair, London (with Anthea Hamilton)
2008
- Divider, Studio Voltaire, London
- Kerlin Gallery, Dublin (with Benedikt Hipp)
2007
- Seven Metals, Vilma Gold, London (with Micheala Eichwald)
Group Exhibitions
2022
- X Years, VI, VII, Oslo
2021
- Yesn’t II (with Anthea Hamilton), Galerie Sultana, Paris Curated by Paul Maheke
- Drawing Biennial, The Drawing Room, London
2020
- Death, Volcano E×travaganza, Fiorucci Arts Trust, Stromboli
2019
- Anthea Hamilton Project Kettle’s Yard, Cambridge, U.K.
2016
- Anthea Hamilton Reimagines Kettle’s Yard, The Hepworth Wakefield
2015
- The Averty Show, Le Confort Moderne, Poitiers
- Terrapolis, Whitechapel Gallery & NEON, French School, Athens
2014
- Burning Down the House, 10th Gwangju Biennale (with Anthea Hamilton)
- Da Da Da, Peles Empire, London
- Like a Virgin, VI,VII, Oslo
2013
- All the Masters at the Swing Door, ReMap4 Athens
- Several Species of Small Furry Animals.. Veneklasen Werner, Berlin
2012
- Als Morandi mit der Kinematographie liebaugelte, Supportico Lopez, Berlin One Persons Materialism, Another Persons Romanticism, 5th Glasgow International Recent British Painting, Grimm, Amsterdam
- The Piano Lesson, Vilma Gold, London
2011
- Les Statues Meurent Aussi, Galleria Suzy Shammah, Milan
- Nobody Can Tell The Why Of It, 1857, Oslo
2010
- Public Private Paintings, Kunstmuseum Ann Zee, Oostende News Speak, British Art Now, Saatchi Gallery. London
- Owl Stretching Time, Nordenhake, Berlin, Germany
- The Long Dark, Kettle’s Yard, Cambridge
- Novel, dépendance, Brussels
2008
- The Dark Monarch, Tate St Ives
2007
- Tales Of Songs, Marc Foxx, Los Angeles
2006
- The air line, The Reliance, London
- Toutes Composition Florales, Counter, London
Bibliography
2016
- Mclean, Matthew, Anthea Hamilton Reimagines Kettle’s Yard, Hepworth Wakefield Canbaz, Melissa, Berlin, Schinkel Pavillion, Critics Picks, Artforum, 14th March
- Henrichsen, Jens, In der Schwebe, Der Tagespiegel, 23rd February
2015
- Douglas, Caroline, Finish Your Sentence, Contemporary Art Society, 6th November
- Banks, Grace, Art Among the Ruins, The Guardian, Wednesday 27th May Paterson, Steve, The Averty Show, Art press, Dec Issue 428, pg,18
2014
- Zeiner-Henriksen, Av Eirik, Like A Virgin, Kunst, Smuglesning, Oslo, 25th January
- Morgan, Jessica, Jang-hyeon, Yun, Burning Down the House, 10th Gwangju Biennale Catalogue
2013
- Agenda, Gib’s Mir, Wall Street International, 14th October
- Herbert, Martin, Several Species of.. Veneklasen Werner, Berlin, Frieze
2012
- Morton, Tom, Focus, Nicholas Byrne, Frieze, Issue 146, April, pg 120
- Harris, Gareth, Frieze finds a new frame, Financial Times, July 28/29, 2012, pg 13
- Local and Aesthetic, Guardian.co.uk Wednesday 18th July, 2012
2011
- Herbert, Martin, Nicholas Byrne, Frieze Art Fair Yearbook, Frieze Publishing Norby Werno, Johanne, 1857, Oslo, Critcs Picks Artforum
- Hareldseth, Geir, 1857, Oslo, Kaliedoscope blog! 19th July, 2011
- Roed, Kjetil, ‘Nobody Can Tell the Why Of It’ 1857, Oslo, Aftenposten
2010
- Flow, Heather, Brand New: Nicholas Byrne, Flash Art, October 2010, Vol XLIII, No 274, pg 110
- Chenais, Roman, An Attempt at a Topology, The ‘Local’ Artist, Solo Show Publication, RCA Curating, p.230
- Herbert, Martin, Back: Nicholas Byrne, Frieze, Issue 130, April 2010, pg.117 Coomer, Martin, Reviews: Nicholas Byrne, Time Out, February 11 -17, pg. 44 Charlesworth, JJ, Nicholas Byrne, A Catholic Episode, Artreview, Issue 40, pg.94
- Cotton, Michelle, Critics Picks, Nicholas Byrne, Critics’ Picks, Artforum, February, 2010
- Sherwin, Skye, E×hibitions: Nicholas Byrne, Gaurdian Guide, January, 2010, pg.32
- Rowlands, Alun, Williams, Matt, Novel, Issue II
2009
- Canoilas, Hugo, Telephone Paintings and Other Works, Transboavista, Lisbon Bracewell, Michael, Clark, Martin, Rowlands, Alun, The Dark Monarch, Tate Publishing
- Studio Voltaire, Calypsos, Zoo, Catalogue, Published by Zoo Art Enterprizes Vincent, Martin, The Long Dark, Art Monthly, Dec- Jan 09-10, pg.32
2008
- Andress, Sarah, Nicholas Byrne, Studio Voltaire, Flash Art, November / December
- Laera, Margherita, Italien Vogue, September,
- Dunne, Aiden, Nicholas Byrne, Benedikt Hipp, The Irish Times, 20th August Honore, Vincent, Past Forward, exhibition catalogue, Zabludowicz Collection
2007
- Shollis, Brian, Scene & Herd, Artforum.com
- Bonacina, Andrew, Frieze Art Fair Yearbook 2007/08 Frieze Publishing
2006
- Edwards, Charlotte, London MA Graduates, Artreview, Volume LVI
Residencies
2021
- Cove Park, Scotland (with Anthea Hamilton) Frida
2015
- Hansen Hus, Stavangar, Norway
2014
- Irish Museum of Modern Art, Dublin
2006
- Cité International des Arts, Paris, France
- Teaching
2022
- Goldsmiths, University, Fine Art, E×tension, UK, Artists talk and Tutorials UAL: Camberwell, Fine Art, Drawing / Painting, UK, Associate Lecturer University of the Creative Arts, Farnham, UK, Associate Lecturer
- Glasgow School of Art, BA, Fine Art, Painting, UK, Artists talk and Tutorials
2021
- Goldsmiths, University, UK, Artists talk and Tutorials
- University of the Creative Arts, Farnham, UK, Associate Lecturer Manchester School of Art, UK, Associate Lecturer
- Newcastle University of the Arts, UK, Visiting Artist
2020
- Manchester School of Art, UK, Associate Lecturer Wimbledon College of Arts, Associate Lecturer
2018
- UAL: Wimbledon School of Art, UK, Associate Lecturer Royal College of Art, UK, Associate Lecturer
- UCA Farnham, UK, Associate Lecturer
- Brera Academy, Milan, Italy, Artists talk
2017
- UAL: Wimbledon College of Arts, Associate Lecturer
- Kingston University, Artists talk and Tutorials
- UCA Farnham, UK, Associate Lecturer
- Royal Academy Schools, UK London, Artists talk and Tutorials Leeds Beckett University, UK, Artists talk and Tutorials
2016
- Royal Academy Schools London, Visiting Artist Manchester School of Art, Visiting Artists talk and Tutorials
2015
- Slade School of Fine Art, U.C.L. Artists talk and Tutorials University of Reading, Artists talk and Tutorials
- Ruskin School of Art, Oxford, Artists talk and Tutorials
2014
- Camberwell College of Art, UAL, Artists talk
2013
- Royal Academy Schools, Artists talk and Tutorials
2010
- Slade School of Fine Art, U.C.L. Visiting, Artists talk and Tutorials School of Fine Art, Kingston University, Artists talk and Tutorials
2005
- School of Fine Art, Kingston University, Artists talk and Tutorials